Black rhinos are not actually black. They are, however, giant animals with tiny eyes, feet the diameter of laundry baskets, and horns that are prized for both their aesthetic and medicinal qualities. Until recently, these creatures were perched on the edge of extinction, their numbers dwindling as they succumbed to poachers and the ravages of civil war. Now their numbers are rising, thanks to a groundbreaking new conservation method from the Save the Rhino Trust: make sure that rhinos are worth more alive than dead.
Rick Bass, who has long worn the uneasy mantle of both activist and hunter, traveled to Namibia to find black rhinos. The tale of his journey provides a deeper understanding of these amazing animals and of just what needs to be done to protect them.
"Bass provides a singularly thoughtful portrait of a unique animal, and a meditation on mankind's relationship to both it and the natural world as a whole." —Minneapolis Star Tribune
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Creators
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Publisher
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Release date
August 7, 2012 -
Formats
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Kindle Book
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OverDrive Read
- ISBN: 9780547725826
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EPUB ebook
- ISBN: 9780547725826
- File size: 2193 KB
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Languages
- English
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Reviews
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Publisher's Weekly
June 11, 2012
Novelist and memoirist Bass (Why I Came West) records his travels to Namibia to “witness... a ponderous beast out upon such a naked and seemingly unsupporting landscape.” At Damaraland, in the Namib Desert, Bass encounters activist Mike Hearn of the Save the Rhino Trust. Throughout the book, Bass renders an affectionate portrait of Hearn and his life’s work defending rhinos. No actual rhino appears until more than halfway through, when searches culminate in two perilous and riveting encounters. Later, Bass travels from Damaraland to the tamer and popular Etosha National Park. While the rhino’s plight, and efforts to ensure its recovery, are given considerable attention, Bass’s time in the desert, among its animals and vastness, focuses him on “the big questions”: the origin of life, the rhino’s miraculous adaptation to the desert’s austerity, and what humanity can learn from the magnificent animal. Time in the desert also yields touching meditations on time itself—its nature, and our experience of it. To describe the desert, another protagonist, Bass must examine the nature of perception: “The barren land unscrolls before us as if being created by the very act of our seeing.” On occasion, Bass struggles to infuse the ruminations with poetry; his prose, packed with similes and comparisons, can be cumbersome. Agent: Robert Datilla, the Phoenix Literary Agency.
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