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The Wrong Dog Dream

A True Romance

ebook
1 of 1 copy available
1 of 1 copy available
The author calls this "a true romance," saying, it's the part of her personal history she, being superstitious, was almost afraid to write. She'd grown up accustomed to bad luck, but had – by accident or miracle – survived her own circumstances: being orphaned, her own misspent youth, the chaos of a broken marriage. She'd more than survived, she'd even triumphed and had awakened into a kind of charmed splendor to find herself living in a white marble city with storybook castles, knowing famous people, being invited to the White House to listen to her husband discuss Yeats with the President of the United States, as Bill Clinton drinks Diet Coke from the can.
And into this fabled chapter of the writer's life comes the perfect dog, an English Springer Spaniel named Whistler who arrives not only the family pet, but as her private symbol of triumph over all that age–old sadness. She wants to ignore it but can't help but see that their perfect pup is something of a neurotic mess, snarling at manhole covers, barking at children, growling at people in wheelchairs.
The writer herself is not seemingly done with the anxieties born of all that early trauma and loss, and she begins to worry obsessively about losing this difficult dog, the one they so love. Wrrrrnnnggdgggg! she begins to dream. Wrrrrrnnnnng dgggg!
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    • Publisher's Weekly

      January 7, 2013
      Filled with anxiety over ending up with the wrong dog, Vandenburgh (Failure to Zigzag) sets up a personal exploration around these fears. After moving from California to Washington, D.C., with her husband, Jack, the two decide that the best remedy for their childless blues is to purchase a purebred English springer spaniel named Whistler, but he is a high-strung, overbred kennel club dog and not the mongrelly kind of the author’s childhood. Though this memoir contains moving passages about Vandenburgh’s deceased father and escapes to a forest cabin with her brother and their childhood dog, Doctor Ross, such highlights are overshadowed by repetitive, and occasionally whiny passages about how the author prefers the company of her West Coast friends to the folks in her new city. In such moments, Vandenburgh risks coming across as a privileged complainer the moment Whistler lets out a whimper or a growl. Agent: Elise Capron, the Sandra Dijkstra Agency.

    • Kirkus

      February 1, 2013
      Novelist and memoirist Vandenburgh (Architecture of the Novel, 2010, etc.) tells the story of her relationships with two family dogs while exploring her own inner emotional landscapes. Whistler came into the author's uprooted life after she and her husband moved to Washington, D.C., from California. But the English springer spaniel soon went from being "two warm and fluffy handfuls of the purest joy" to "a fearful mass of jitters." Vandenburgh attributed the nervousness to his pedigreed background, until she realized that he may have been picking up and mirroring her own anxieties. Living apart from all she had known, including her own teenage children, she felt fearful, lonely and as though "[she'd] lost some element in [her] sense of cosmic usefulness." The author began seeing a therapist and then took Whistler to a trainer to help him overcome his problems. "Thousands of dollars" later, her dog evolved into an excellent companion upon whom she and her husband doted. When Whistler died tragically, the grief-stricken couple immediately adopted a puppy from an animal shelter and named him Thiebaud. From the start, this new dog seemed to revel in the simple joy of being alive. Vandenburgh and her husband eventually moved back to California, where Thiebaud shattered their fragile, hard-won peace by unexpectedly attacking another dog and plunging the family into conflict with the town's residents. Vandenburgh's work is strongest in its depiction of the sometimes-intense, life-changing bonds that can form between humans and dogs. A lack of sustained reflection on the author's internal conflicts, however, undermines the narrative's impact on readers. Sincere and at times even lyrical, but not especially compelling.

      COPYRIGHT(2013) Kirkus Reviews, ALL RIGHTS RESERVED.

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