Error loading page.
Try refreshing the page. If that doesn't work, there may be a network issue, and you can use our self test page to see what's preventing the page from loading.
Learn more about possible network issues or contact support for more help.

Nazi Literature in the Americas

Audiobook
1 of 1 copy available
1 of 1 copy available

A tour de force of black humor and imaginary erudition, Nazi Literature in the Americas presents itself as a biographical dictionary of writers who espoused extreme right-wing ideologies in the twentieth and twenty-first centuries.

Comprising short biographies about imaginary writers from Argentina, Brazil, Chile, Cuba, Columbia, Peru, Uruguay, Venezuela, and the United States, Nazi Literature in the Americas includes descriptions of the writers' works, cross-references, a bibliography, and also an "Epilogue for Monsters." All the writers are carefully and credibly situated in real literary worlds. There are fourteen thematic sections with titles such as "Forerunners and Figures of the Anti-Enlightenment," "Magicians, Mercenaries, and Miserable Individuals," and "North American Poets."

Brisk and pseudoacademic, Nazi Literature in the Americas delicately balances irony and pathos. Bolaño does not simply use his writers for target practice: in the space of a few pages he manages to sketch character portraits that are often pathetically funny, sometimes surprisingly moving, and, on occasion, authentically chilling. A remarkably inventive, funny, and disquieting sui generis novel, Nazi Literature in the Americas offers a clear view into the workings of one of the most extraordinarily fecund literary imaginations of our time.

  • Creators

  • Publisher

  • Release date

  • Formats

  • Languages

  • Reviews

    • Publisher's Weekly

      December 10, 2007
      The title chosen by Bolaño (1953–2003) for this slim, fake encyclopedia is not wholly tongue-in-cheek: given the very real presence of former (and not-so-former) Nazis in Latin America following WWII, this book, despite being fiction, still had j’accuse
      -like power when first published in 1996. The poets described herein, though invented, seem—even at their most absurd—plausible, which is the secret to this sly book’s devastating effect. And as one proceeds from an entry on Edelmira Thompson de Mendiluce (“In high spirits, Edelmira asked for the Führer’s advice: which would be the most appropriate school for her sons?”) to one on Carlos Ramírez Hoffman (“His passage through literature left a trail of blood and several questions posed by a mute”), it becomes clear that there is a single witness to all of these terrible figures, one who has spent time in one of Pinochet’s prisons and is bent on coolly totting up the crimes of fascism’s literary perpetrators. Some readers will recognize figures and episodes from Bolaño’s other books (including The Savage Detectives
      and Distant Star
      ). The wild inventiveness of Bolaño’s evocations places them squarely in the realm of Borges—another writer who draws enormous power from the movement between the fictive and the real.

Formats

  • OverDrive Listen audiobook

subjects

Languages

  • English

Loading