Error loading page.
Try refreshing the page. If that doesn't work, there may be a network issue, and you can use our self test page to see what's preventing the page from loading.
Learn more about possible network issues or contact support for more help.
Advanced
Title details for Film Programming by Peter Bosma - Available

Film Programming

by Peter Bosma
ebook
Read a sample Read a sample
This study explores artistic choices in cinema exhibition, focusing on film theaters, film festivals, and film archives and situating film-curating issues within an international context. Artistic and commercial film availability has increased overwhelmingly as a result of the digitization of the infrastructure of distribution and exhibition. The film trade's conventional structures are transforming and, in the digital age, supply and demand can meet without the intervention of traditional gatekeepers—everybody can be a film curator, in a passive or active way. This volume addresses three kinds of readers: those who want to become film curators, those who want to research the film-curating phenomenon, and those critical cinema visitors who seek to investigate the story behind the selection process of available films and the way to present them.
Expand title description text
Series: Short Cuts Publisher: Columbia University Press

Kindle Book

  • Release date: June 9, 2015

OverDrive Read

  • ISBN: 9780231850827
  • File size: 980 KB
  • Release date: June 9, 2015

EPUB ebook

  • ISBN: 9780231850827
  • File size: 980 KB
  • Release date: June 9, 2015

Formats

Kindle Book
OverDrive Read
EPUB ebook

subjects

Performing Arts Nonfiction

Languages

English

This study explores artistic choices in cinema exhibition, focusing on film theaters, film festivals, and film archives and situating film-curating issues within an international context. Artistic and commercial film availability has increased overwhelmingly as a result of the digitization of the infrastructure of distribution and exhibition. The film trade's conventional structures are transforming and, in the digital age, supply and demand can meet without the intervention of traditional gatekeepers—everybody can be a film curator, in a passive or active way. This volume addresses three kinds of readers: those who want to become film curators, those who want to research the film-curating phenomenon, and those critical cinema visitors who seek to investigate the story behind the selection process of available films and the way to present them.
Expand title description text
Performing Arts Nonfiction