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Off Course

Audiobook
1 of 1 copy available
1 of 1 copy available
The year is 1981, Reagan is in the White House, and the country is stalled in a recession. Cressida Hartley, a gifted Ph.D. student in economics, moves into her parents' shabby A-frame cabin in the Sierras to write her dissertation.


Cress, increasingly resistant to her topic (art in the marketplace), allows herself to be drawn into the social life of the small mountain community. The exuberant local lodge owner, Jakey Yates, with his big personality and great animal magnetism, is the first to blur Cress' focus. The builder Rick Garsh gives her a job driving up and down the mountain for supplies. And then there are the two Morrow brothers, skilled carpenters, who are witty, intriguing, and married.


As Cress tells her best friend back home in Pasadena, being a single woman on the mountain amounts to a form of public service. Falling prey to her own perilous reasoning, she soon finds herself in dark new territory, subject to forces beyond her control from both within and without.
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    • AudioFile Magazine
      At the center of this absorbing audiobook is Cressida Hartley, almost PhD, who moves to her parents' mountain cabin in order to write her dissertation. Amy Rubinate's voice is warm and youthful, a good match for Cressida, whom she portrays with sympathy and skill. Her Cressida is capable and sympathetic, and few alarms go off as Cress postpones work to flirt and make friends in her new community. But look out below. When a dalliance with a married man turns into something with the power to tear lives apart, the trap has been built around Cress so quietly and skillfully that you don't see it until it snaps shut on her. Kudos to both Huneven and Rubinate for this deft and compelling listening experience. B.G. © AudioFile 2014, Portland, Maine
    • Publisher's Weekly

      November 11, 2013
      For readers unfamiliar with Huneven’s previous novels, such as Blame, Cressida Hartley may seem at first like a romance heroine. When Cress moves temporarily into her family’s cabin in the Sierras in the early 1980s, ostensibly to finish her economics dissertation, Jakey—the stereotypical burly backwoodsman—immediately poses a distraction. But their tryst doesn’t lead to a happily ever after: it proves to be only a prologue to the main story. After Jakey loses interest in her, Cress finds a less likely romantic partner in Quinn, a somber carpenter grappling with his father’s suicide who has been married for 19 years. With unflinching emotional honesty, Huneven chronicles their passionate four-year affair, during which time Cress’s family and friends urge her to leave the mountain and begin her career. Instead, she allows her personality to be subsumed into Quinn’s. The tension between the two is slowly pulled taut, until it finally snaps: Cress runs up against Quinn’s sense of familial duty. Underlying the plot is an uncomfortable assumption that happiness is determined by relationships—Cress’s accomplishments are so briefly noted (her Ph.D., a high-powered job), that they seem to be an afterthought. But while Huneven’s latest will likely disappoint romantics, Cress makes for an eerily relatable and heartbreaking protagonist. Agent: Jin Auh, Wylie Agency.

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  • English

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